'PRIVATE VIEW' THE LIVELY WORLD OF BRITISH ART BOOK
Private View: The Lively World of British Art is a significant publication from 1965 that explores the vibrant London art scene of the time. Co-authored by Bryan Robertson, John Russell, and Lord Snowdon, the book captures the creative energy that positioned London alongside Paris and New York as a major art capital. It focuses on prominent artists such as Henry Moore, Barbara Hepworth, Francis Bacon, Graham Sutherland, and David Hockney, providing insights into their contributions to British art.
The book delves into various aspects of the art world, including the roles of art dealers, critics, collectors, schools, and teachers. It offers a comprehensive view of how these elements combined to foster a dynamic artistic environment. Lord Snowdon’s photographs play a crucial role in visually documenting this period, capturing key figures and moments that defined the era.
As a historical document, Private View is invaluable for understanding how London became a global hub for artistic innovation during the mid-20th century. The book’s large format and high-quality design reflect its ambition to celebrate and promote contemporary British art. It remains an important resource for anyone interested in the evolution of British art and its impact on the global art scene.
The book is in very good vintage condition aside from the dust cover which has a significant spine tear.
Printed in 1965 - First Edition
Private View: The Lively World of British Art is a significant publication from 1965 that explores the vibrant London art scene of the time. Co-authored by Bryan Robertson, John Russell, and Lord Snowdon, the book captures the creative energy that positioned London alongside Paris and New York as a major art capital. It focuses on prominent artists such as Henry Moore, Barbara Hepworth, Francis Bacon, Graham Sutherland, and David Hockney, providing insights into their contributions to British art.
The book delves into various aspects of the art world, including the roles of art dealers, critics, collectors, schools, and teachers. It offers a comprehensive view of how these elements combined to foster a dynamic artistic environment. Lord Snowdon’s photographs play a crucial role in visually documenting this period, capturing key figures and moments that defined the era.
As a historical document, Private View is invaluable for understanding how London became a global hub for artistic innovation during the mid-20th century. The book’s large format and high-quality design reflect its ambition to celebrate and promote contemporary British art. It remains an important resource for anyone interested in the evolution of British art and its impact on the global art scene.
The book is in very good vintage condition aside from the dust cover which has a significant spine tear.
Printed in 1965 - First Edition
Private View: The Lively World of British Art is a significant publication from 1965 that explores the vibrant London art scene of the time. Co-authored by Bryan Robertson, John Russell, and Lord Snowdon, the book captures the creative energy that positioned London alongside Paris and New York as a major art capital. It focuses on prominent artists such as Henry Moore, Barbara Hepworth, Francis Bacon, Graham Sutherland, and David Hockney, providing insights into their contributions to British art.
The book delves into various aspects of the art world, including the roles of art dealers, critics, collectors, schools, and teachers. It offers a comprehensive view of how these elements combined to foster a dynamic artistic environment. Lord Snowdon’s photographs play a crucial role in visually documenting this period, capturing key figures and moments that defined the era.
As a historical document, Private View is invaluable for understanding how London became a global hub for artistic innovation during the mid-20th century. The book’s large format and high-quality design reflect its ambition to celebrate and promote contemporary British art. It remains an important resource for anyone interested in the evolution of British art and its impact on the global art scene.
The book is in very good vintage condition aside from the dust cover which has a significant spine tear.
Printed in 1965 - First Edition
